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Berkas:Libby Prison by David Gilmour Blythe, 1863.jpg

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Ringkasan

David Gilmour Blythe: Libby Prison  wikidata:Q20634641 reasonator:Q20634641
Seniman/Pembuat
David Gilmour Blythe  (1815–1865)  wikidata:Q5234146
 
Nama alternatif
nama samaran: David Gilmour; David G. Blythe; David Blythe; Blythe; d.g. blythe
Deskripsi American pelukis
Tanggal kelahiran/kematian 9 Mei 1815 Sunting ini di Wikidata 15 Mei 1865 Sunting ini di Wikidata
Tempat kelahiran/kematian East Liverpool, Ohio Pittsburgh (?)
Pengawasan otoritas
artist QS:P170,Q5234146
image of artwork listed in title parameter on this page
Judul
Libby Prison
Object type lukisan Sunting ini di Wikidata
Tanggal 1863
date QS:P571,+1863-00-00T00:00:00Z/9
Bahan air di atas kanvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Ukuran tinggi: 61,2 cm; lebar: 91,7 cm
dimensions QS:P2048,61.28U174728
dimensions QS:P2049,91.76U174728
Museum of Fine Arts, Boston
Lokasi
Boston, USA
Kode inventaris
Place of creation Amerika Serikat Sunting ini di Wikidata
Catatan

From Museum of Fine Arts website: Libby Prison, in Richmond, Virginia, was one of the most notorious Confederate prisons in operation during the Civil War. The building was originally a tobacco warehouse, constructed by local merchant Fulton Libby in 1845; by 1862, it was a filthy, vermin-infested, dank prison, housing as many as twelve hundred Union soldiers in six rooms each no more than forty by one hundred feet. Many prisoners died there; those who survived suffered from poor health for the rest of their lives.

David Gilmour Blythe, a self-trained artist with a satirist's eye and a keen dramatic sense, never saw Libby Prison. He spent the war years in Pittsburgh and relied on newspaper accounts and prints of the prison for information about the setting and the prisoners' wretched lives. Some of his details are true to life-men play cards and checkers to pass the time, others wash themselves at a water trough; a soldier at center comforts a feverish friend. Other elements are broadly satirical-a man at center writes "Time" on a post, while another reads Rip Van Winkle (as though relief could be found in a story of twenty years' slumber); the chaplain at center right offers sham solace to the despondent men. Although many of his figures are crudely drawn, Blythe's use of lighting is deftly theatrical, and his rich red-and-brown color scheme intensifies the emotion of the scene. Beneath the propagandistic accumulation of horrifying detail are echoes of several famous European paintings dealing with related themes, which Blythe likely would have known through prints. The similarities with William Hogarth's Bedlam (the final scene in his epic series of paintings "The Rake's Progress," which were widely distributed in prints) and Baron Gros' General Bonaparte Visiting the Plague-Stricken at Jaffa (Musée du Louvre; a version is in the MFA) suggest that the inhumanity of Libby Prison was not limited to the Civil War or America, but was part of the larger, age-old story of man's inhumanity to man.

This text was adapted from Davis, et al., MFA Highlights: American Painting (Boston, 2003) available at www.mfashop.com/mfa-publications.html.
Referensi
Sumber/Fotografer http://www.mfa.org/collections/object/libby-prison-33168
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Tanggal/WaktuMiniaturDimensiPenggunaKomentar
terkini27 Juli 2010 23.33Miniatur versi sejak 27 Juli 2010 23.331.569 × 1.035 (245 KB)Scewing== {{int:filedesc}} == {{Painting | Artist={{Creator:David Gilmour Blythe}} | Title =Libby Prison | Year = 1863 | Technique = {{Oil on canvas}} | Dimensions = {{Size|cm|61.28|91.76}} | Gallery = Museum of Fine Arts, Boston | Location = [[Bost

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